Statement

Artist’s statement

Susan Wright

My work is concerned with the process of transformation of discarded and forgotten books into new artwork. I am interested in the idea that books are repositories of ideas, knowledge and values and I produce prints to develop these ideas.

Discarded books have a story before they were found. Their transformation changes the story, it adds layers of dialogue, meaning, history and ecology to the established narrative. After being discarded the books lost the knowledge held in the text, they were closed, damaged by weather, infestations of insects and plants. I use the pages from books and the books themselves to produce the work because they are already imprinted with the effects of landscape. As print making material, they take an active part in the finished pieces. The prints have become map like, imaginary places, a new narrative emerging from the old books. The landscape is reflected in the print

This renewal affects how the images and objects are viewed by others, they can have many interpretations. They are out of context, with no helpful guidance to lead the audience to understand what they might mean. Some people place them in the past, others see them as future artefacts, new stories emerge as they speculate about what they are seeing.

The prints are etchings, collagraphs and monoprints. Aluminim etching plates are used to etch because they can be reused and erased, the images altered and re-etched time and time again. This emulates the environmental imapct on the lost books and intruduces randomness and chance into the etching process. Other prints rely on the self formation of the source material to provide the imagery. By using hand made paper which incorporates pieces of the book’s pages and covers, printed images can be manipulated into three dimentional forms echoing the topography of the natural landscape.

Biography:

Born – 1955 Halifax, United Kingdom
1978 – BEd in Education and Art – Bulmershe College of Education Reading.
1994 – MSc in Educational Audiology, University of Manchester
2009 – BA (Hons) Fine Art – Leeds College of Art.

2015 -2017  MA Creative Practice (Fine Art) – Leeds College of Art

Now living and working in Halifax

Presentations and awards

 

Shortlisted for SCAF Emerging Artist Award – in progress, September 2019

Prize winner, Fronteer Open, Sheffield 2018

Shortlisted for the Flourish Printmaking Prize 2017

 

Curator, Contemporary British Painters Exhibitions, Gallery Steel Rooms Brigg July 2019

Recent exhibitions

Solo Show

Reconsidering Topology’ Gallery Steel Rooms, Brigg. June 2018

Groups Shows

 ‘Mappish, – Inside the Map’ Back Newton Grove, Leeds, March 2019

‘Way-Making’ Gallery Steel Rooms, Brigg. March 2019’

 ‘TCL Collective Group Show’ Coffee on the Crescent, Leeds December 2018

‘Winter Show” Gallery Steel Rooms, Brigg. November 2018’

‘Amazing Rare Things’ Water Street Gallery , November 2018

Calderdale Open ‘ Banfield Museum, Halifax November 2018

‘Life on the Outskirts _ Contemporary Practice Inspired by the Helen Storey Foundation’, University of Leeds and Manchester Metropolitan University, July – October 2018.

‘TCL Collective Group Show’, Horticap, Harrogate, June 2018

‘Print: ’ Water Street Gallery, Todmorden May/June 2018

‘inspired’ TCL Collective Artist Residency with Kinvara Area Visual Arts (KAVA), Kinvara, Ireland, April 2018

‘A Long Shot” West Yorkshire Print Workshop’, Café Ollo Huddersfield Media Centre, February 2018

‘TCL Collective Group Show’ LS6, Leeds December 2017

Winter Showcase’ Hebden Bridge November 2017

‘Small Works’ Water Street Gallery , November 2017

Re:mastered’ End of year show , Leeds Arts University 2017

‘Flourish  Award’  West Yorkshire Print Workshop , Mirfield September – October 2017

‘Editions’ ( East Street Arts) Munro House, Leeds, August 2017

 ‘Something Blue’ Cultivate Gallery, Online. 2017

‘Canticle for the Anthropocene’ Telling in Full, Lancaster Arts, Lancaster University, July 2017

Beyond Landscape’ Artist Residency with Kinvara Area Visual Arts (KAVA), Kinvara, Ireland, June 2017

‘Earth, Water, Fire’ West Yorkshire Print Workshop, Mirfield. April 2017

‘Ones to Watch’, Sunny Bank Mills, Leeds. March 2017

‘Curatorial Cluster Research Group Show’, Leeds College of Art. September 2016

Transformation of the Book – Not knowing is a form of knowing’ –  Holding / Held By The Book, Conference presentation, Centre for the Comparative History of Print, University of Leeds. July 2016

Tick Tack’, Galleria Civica di Trento, Trento, Italy. February 2016